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Kieron Smith, Boy

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Kieron Smith, BoyAuthor: James Kelman
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Product Details:

   Hardcover 432 pages
   Release Date: 24 April 2008
   Publisher: Hamish Hamilton
   ISBN: 0241142415
   Rating:
   Sales Rank: 292968

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 Books > Special Features > Look Inside!
 Fiction > Authors, A-Z > K > Kelman, James
 Books > Fiction > General
 Fiction > World > Scottish

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Customer Reviews:

  What's the point? (05 November 2009)
Why would I want to know every single banal thought of an unremarkable and uninteresting child with an unremarkable and uninteresting life? Maybe this childhood is just too remote (geographically, socially and temporally) from mine to identify with it, but even the child's own "voice" did nothing to me. It contrasts well with J.M. Coetzee's Boyhood and Youth, where a removed and abstract style, in comparison to the allegedly "involving" style of Kieron Smith, touched me far more deeply.

No disrespect to James Kelman, however, very impressive to be able to carry this through, and all in all a worthwhile read. Who knows, maybe you'll identify with the boy.

  Novel of the year (31 August 2008)
This is a hugely moving book that tightly grips itself around your heart and mind like a beanstalk animated upwards at a rate of knots. Its vivid period setting gives great texture to the narrative, but the truth of being a boy between the ages of 7 and 12 is what it's all about. It's a marvellous sustained piece of writing and a beautiful work of art. Nothing else to be said.

  a rich inner life (13 August 2008)
I meant to wait till the paperback was out. Then I read the first paragraph and knew I had to read on. So I bought the hardback and read avidly. The book occupied train journeys, evenings when I should have been doing something else, and days of a seaside holiday.

This isn't a novel about plot but about the way life changes - and the way children are changed by life. But from that first paragraph I cared about Kieron as an individual human being and I wanted to follow him - so I did. He seemed real in his perceptions, the physical and sensory details of his experiences, and the speech patterns and rhythms which bring his thoughts to life.

In an early essay, James Kelman argued that most of English literature denies the working class - especially working-class Glaswegians - a rich inner life. Kieron's inner life is undoubtedly rich and, as a reader, I mourned every small opportunity that was closed to him.

The novel is in no way political but the sense that children like Kieron are as fully human as other children - and as deserving of opportunities - forces a political response that says a good deal about our society today.



 
 


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